We’re quiiiite pleased to welcome Drive-By Truckers to our fair stage November 20, 21 & 22 for THREE amazing nights of tunes, along with special guest Sturgill Simpson.
Tickets are on sale this Friday at 10:00 a.m. at Ticketmaster.com, all Ticketmaster outlets and charge by phone at 1-800-745-3000.
English Oceans, the 12th release by Athens, Georgia’s Drive-By Truckers, is an elegantly balanced and deeply engaged new effort that finds the group refreshed and firing on all cylinders.
All but one of the collection’s 13 new songs, written by singer-guitarists and co-founding members Patterson Hood and Mike Cooley, were recorded during 13 days of sessions in August 2013 with longtime producer David Barbe.
Six of the songs were the result of a burst of writing activity by Cooley.
“I had time to write,” Cooley says. “After we came off the road last time, we decided we were going to let it rest for a while. So I had time to really focus. I kind of had to re-learn how to write, because I didn’t write as many songs as I’d wanted on the last couple of records. I was happy with these songs, and thrilled to go in and record so many that I felt real strongly about.”
Hood notes, “I don’t think we’ve ever had a record where Cooley was as deeply involved in every aspect of the making of it as he was this time. With Cooley’s writing, there’s almost no precedent for it in our catalog. He came in with this stunning bunch of songs, full of this beautiful imagery.”
The album was recorded with a compact, retooled lineup. Jay Gonzalez, who joined the band in 2008 as keyboardist, stepped into an expanded role by adding guitar to his duties, while bassist Matt Patton was drafted from the Tuscaloosa group The Dexateens. The unit was road-tested during dates in 2013.
Cooley says, “This lineup is so direct. It can go from this chainsaw rock ‘n’ roll to very delicate, pretty-sounding stuff.” We wrote a lot of those kinds of songs, and this lineup got all of that well.
Hood agrees: “We recorded with a stripped-down lineup that gave things a more primal and immediate feel. It’s a more turn-on-a-dime kind of thing, which suits these songs, and us as a band. It’s a very tasteful group, and when it needs to be it can be a very big, powerful, over-the-top band, too, and it can go from one to the other seamlessly.”
Looking at the accomplishments of English Oceans from the perspective of DBT’s nearly three-decade history, both Cooley and Hood decline to hedge their bets on the quality of their latest work.
“You’re always hesitant to say, ‘Oh, this is the best record we’ve ever made,’” Cooley says, “because you always want to. And sometimes you say it, and sometimes you’re right, and sometimes you think, ‘Well, maybe I jumped the gun on that a little bit, I got excited.’ But I think this just might be the best record we’ve ever made.”
Hood concurs enthusiastically: “It’s my favorite thing that we’ve ever done. I’m proud of our catalog – we always try to make as good a record as we can make. Sometimes things just work. This time, we made kind of a magical record. I’ve always felt that Decoration Daywas our best record, and this is the first one that I think is a better record than that was. Every piece of the puzzle fit.”